No sleep til bloodbuzz

Kate/ August 3, 2010/ blog

Last week I spent a good solid 5 days in New York City via Brooklyn—the longest I’ve ever stayed in the big, big city. I hadn’t planned it that way. The original purpose of the trip was the Illustrator’s Intensive hosted by the Metro NY chapter of SCBWI on Saturday, July 24—a plan that I almost canceled due to a death in the family. In the end, everything worked out rather miraculously and I was on my way there with plans to return Sunday.

The workshop consisted of a full day of mini-classes, both hands-on sessions and lectures. Due to a last-minute cancellation or two, I obtained a spot in award-winning illustrator Pat Cummings‘ class on storytelling, and an extra unplanned critique with art director and former Muppet builder, Laurent Linn. This and another critique by art rep Mela Bolinao were the first portfolio reviews I’ve had on this level in quite some time. Five years since a critique in Colorado and triple that since anything in NYC.

I was giddy to receive positive reactions from both reviewers, even some instant oooh’s and aaah’s but I wanted the nitty gritty. I had requested 100% honesty and I received it with gratitude. My style has changed and evolved for the better, all agreed. Awesome. However, showing multiple styles of illustration in a children’s trade picture book folio may imply weakness in consistency. It is paramount that an illustrator be able to deliver one, beautifully rendered style without deviation when assigned an entire picture book. So a style change, while good from a growth standpoint, does me no good until I prove it’s not a fluke but a regular way of working for me now.

In other words, I have work to do. And that’s ok.

After the workshop I confirmed two appointments for that coming Monday, and, thanks to ridiculously reasonable, flexible accommodations and a gracious host, I was able to extend my stay as needed. Then an angel secured me tickets for the sold-out Celebrate Brooklyn fundraiser with The National and Beach House in Prospect Park that Tuesday. Yes, amazing. With extra tickets I was able to invite and bring some of my newest contacts. I hope that I did not geek out as much as I suspect I did….. ok I’m rather certain I did. Restraint is quite impossible when something moves you, fills you up and just keeps spilling over, again and again and again. Some music just does that. As do some films, some works of art. I want to move people like that.

The events leading up to the show that night surely amplified my celebratory mood; with each day came a new experience; with every new connection a cobwebbed door cracked open, illuminating the brain dust before scattering it in a crosswind. I was alive. I am still alive. I like it.

Why didn’t I do this sooner?

Obligatory Hipstamatic Photos

About Kate

Kate Garchinsky illustrates and writes children’s books and educational media in her studio in the woodlands near Philadelphia, Pennsylvania. Her debut picture book, The Secret Life of the Red Fox, written by acclaimed wildlife author, Laurence Pringle, received a starred review from School Library Journal. Kate Garchinsky received a grant from the Eckelberry Fellowship at the Academy of Natural Sciences, where she has been researching and illustrating extinction stories about North American birds such as the Passenger Pigeon and the Carolina Parakeet. Prior to creating children’s books, Kate designed lots of fun things like toys, birdbaths and trail maps. She lives with her husband Brian, Julia and Spencer the cats, and her one-eyed beagle, Maggie May. Kate recently signed on to illustrate two more “Secret Life” narrative non-fiction picture books with Boyds Mills Press—The Secret Life the Little Brown Bat (2018) and The Secret Life of the Skunk (2019). While drawing foxes and bats, Kate also began work on Belle’s Journey, a middle-grade non-fiction chapter book by ornithologist and osprey expert, Rob Bierregaard (Charlesbridge 2018). Get to know more about Kate Garchinsky at http://KateGarchinsky.com (aka PenguinArt.com).